2011   Real scale conceptual model of a coffin.

A gentler goodbye.  //  一個溫柔的告別。

2024  Course natural sea salt from Bali, Indonesia

An impermanent physical gateway to a seemingly permanent digital space. There, a poem where Pang reflects on the mortality of his late parents, his wife and himself resides.  //  在—個永存的目的地和一個隨時消失的港口之間的一首詩。

This work is made as a part of When the World Stops Turning, an arts research project hosted by Korea-Singapore Cultural Exchange Organization, and sponsored by the Korea Foundation for International Cultural Exchange (KOFICE).

Assess the direct link to the QR code here.

2022  Shells and dried flowers.

An assemblage of materials originating from the land and the sea hinting at the nuances Pang has found in the life-giving process when grieving the loss of both his parents.  //  父母離世後領悟的道 — 世界看似蛻變但仍有著生命的熟悉感。

Created as part of 'Always Remembering Them’, a creative arts-based initiative to support persons working at Assisi Hospice, Singapore.

2013   Alarm clock, paper and gouache.

What are you pursuing today?  //  今天你追求的是甚麼？

This work was featured in an article in Artitute. 

2018  Ink on Chinese calligraphy paper.

A series of unplanned endings.  //  關於無法預測的結局。

Presented as part of 'VESSEL’ in PRAXIS Space, LASALLE College of the Arts, as a component of The LASALLE Show 2018 by the MA Art Therapy graduating cohort of 2018.

2019   Fire.

A reflection of one’s mortality.  //  對存在主義的反思。

This work was presented as part of ‘An Art Therapist’s Calling: Clinician, Artist, Researcher’ in Ngee Ann Kongsi Library, LASALLE College of the Arts, Singapore.

Dewey Decimal Classification codes for reference book from Ngee Ann Kongsi Library, relevant to my clinical / studio art practice,
616.8914 YAL
616.8914 SCH
155.93 DRE

2023 Printed words on 200gsm paper.

These Chinese text is selected from a larger collection of an ongoing publication project started as part of Pang’s grieving process following parental loss in 2014 and 2018.

English translation here.

2017 Dried white beech mushrooms with pigment ink, baking soda.

Nature and city, nature in city.  //  城市與自然界安靜的並列。
This installation is commissioned by the Singapore Art Museum for Imaginarium 2017: To the Ends of the Earth, for SAM at 8Q.

2015   Ready-made broom, flowers, optic fibre cable and digital photography.

A conversation (collaboration) about a similar subject, between two individuals.  //  兩者之間的（合作）對話。
in collaboration with Jacqueline Sim.

This work was presented at INTERSTITIUM, sited at the stairwell of Unit 15 Geylang Lor 24a (part of the Lorong 24a Shophouse Series).

2024 Hand-pressed paper leaves, branches and tulle fabric.

On the impermanence of memories, mortality and on being human. // 關於回憶、人生以及無常的生命。

in collaboration with Hélène Le Chatelier.

2015   Talcum powder and clock mechanism.

In memory of my late mother.  //  獻給我已故的母親。

This work was presented at SingaPlural 2015 (anchor event of the Singapore Design Week).
An edition of this work was made in 2017 for alumni.curated at the Nanyang Academy of Fine Arts, Singapore.

2017   Digital documentation (since 2015).

About a journey, to an unknown destination.  //  一個不知終點的旅程。

For softblow.org

2020  Thanaka, incense, kha yay (flower), clock mechanism, wooden pallets

A statement about the passing of the old... and the possibility of new beginnings through the use of locally-sourced materials associated to prayers and blessings.  //  關於之前與未來之間的一個作品。

Created as part of a series of artwork curated by Intersections Art Gallery for 'Singapore Festival 2020’, an initiative in Yangon, Myanmar by the Singapore Tourism Board at Chin Tsong Palace.

2015   Assembled and painted found wooden strips from Pulau Ubin.

On the interaction between man and nature.  //  關於人與大自然接觸的方式。
This site-specific work was sited on Pulau Ubin from 25 July - 30 August, 2015.

This work made a cameo in a short film about Pulau Ubin.

2019  Marker and pastel on wall

We are here together for a while.  //  這一瞬間我們就這麼一起存在著。

Audience participatory artwork as part of ‘Unplanned Endings’ at Intersections Art Gallery from 18 September to 20 October, 2019.

2013   a collection of mixed media object(s).

The sound of stillness.  //  寂靜的聲音。

Find out more about Displacements, the project and space where the work was created for and sited.

Since 2007   A series of digital photography.

How a seat can represent its inhabitants. Images are documented in Singapore, Malaysia, China and Japan,   //  由座位替代了居住者。作品取材於新加坡、馬來亞、中國及日本等。

2014   PVC insulating tape.

The complexity and impermanence of life.  //  關於人生的無常與複雜性。
An edition of this work was made in 2016 for SCOUT: Emerging Art Practices in Singapore at Gillman Barracks, Singapore.

Words (and emotions) about the everyday.

2016   Hand-pressed paper leaves, branches and water-based paint.

On (the absence of) origins and a departure.  //  關於起源與告別。
in collaboration with Hélène Le Chatelier.

Here is an interview by Le Petit Journal and The Business Times.

2014   PVC insulating tape and flour.

On a broken heart.  //  關於失戀。

2018   Ink on wood.

One drawing for each day, before the day starts.  //  一期一繪。在一天還沒開始前，靜靜地為自己而創作。

DJ Suguru Mochizuki spins to this work with live music on 2018.7.28.
This work is presented at Jewels & Things, Kofu, Yamanashi, Japan.

2017  Drawing on paper and medium-density fibreboard (MDF).

A contemplative state.  //  一種沈思的狀態。

Presented as part of a group show 'I wish I WERE here' at Intersections Art Gallery Singapore from 9 November - 14 December, 2017.
 

For sale enquiries, please contact
Intersections Art Gallery.

2019  Ink on paper

The numbness of grief.  //  一種麻木的傷感。

Series is presented as part of ‘Unplanned Endings’ at Intersections Art Gallery from 18 September to 20 October, 2019.

2014   Eggshell, paper and baby's breath.

Mundane activities surrounding the table.  //  圍繞著桌子的平常事。

2016   Found wooden pallet, hand-filed live bait hooks and nails.

This work is done in collaboration with We Care Community Services.

Letting go of the past and moving on into the everyday.  //  過去讓它過去，一切從心開始。

2016   Offset printing on tracing paper. 
Edition of 500.

On memories, love and loss.  //  關於回憶、愛與失。

"... one of the most contemplative work I have read in a while."
－ Paul James, Visual Artist, Singapore

"It really is like going back home into your heart."
－ Juliet Pang, Singer / Songwriter, Australia

“《Going Home》，這輕巧的攝影／文字小書由路經香港的新加坡藝術家pang創作而成，為獨立出版物。集合作者於新加坡，日本，香港，英國及中國等地看到的景象及有過的感思。中英文短詩短文與小小的照片間隔出現在半透的牛油紙上。文字篇章如「這一次會不一樣」、「The Artist」、「皮蛋瘦肉粥」、「One Mistake」、「窗霜」及「道別」等，短短幾句卻能載起厚重的情感及思緒。”
－ 艺鵠 ACO，香港

List of stockist.
新加坡 ｜ SINGAPORE
Intersections Art Gallery
草根書室 Grassroots Book Room
城市書房 City Book Room
BooksActually
thornsandthistle 

香港 ｜ HONG KONG
陸日小店 SunSat Store
島中坊研 Island Workbench
艺鵠 ACO
Book B

臺北，臺灣 ｜ TAIPEI, TAIWAN
孖空間 Zi Space
田園城市 Garden City Publishers
下北沢世代 shimokitazawa books
有河book
荒花

高雄，臺灣 ｜ KAOHSIUNG, TAIWAN
三餘書店 Takao Books
小島藝廊 Island Gallery
Ki 厝 

墨爾本，澳大利亞 ｜ MELBOURNE, AUSTRALIA
Perimeter Books

甲府市，山梨県， 日本 ｜ KOFU, YAMANASHI, JAPAN
ペチッタ・ペチート　Petit Petito

2016   Hand-pressed paper leaves.

An attempt to incite memories through scent and touch.  //  用香氣與觸覺煽動回憶。
in collaboration with Paul James Seekings.

Scent is customized by Sifr Aromatics.

This work was presented at SingaPlural 2016 (anchor event of the Singapore Design Week).

2017  Paint and stencil-art on donated piano.

We are now a part of each other.  //  我們現已是彼此回憶的一部份。

Presented as part of a public piano initiative Play It Forward. Memories is currently sited at Bethesda Care Centre in Hougang, Singapore.

2012 8’32” video

On being a stranger in a city.  //  關於城市裡的陌生人。


Vimeo: https://vimeo.com/user15573487

2018   93 units of handmade paper flowers.

To remember and celebrate the story of Takasago-yu (public bathhouse) at Kofu city, Yamanashi, Japan which has since closed for business after 93 years of serving the community.  //  為記念及慶祝位於日本山梨県甲府市朝日有著93年歷史，但已勒令歇業的高砂湯澡堂。
This opportunity is made possible by 坂本　泉 of Artist-in-Residence Yamanashi and 福岡二三子 of 高砂湯.

This work is sited at 高砂湯, Kofu, Yamanashi, Japan.

Media features, archives and feedbacks.

特別な感謝。
長澤和子　Kazuko Nagasawa
和光良子 Nagako Wako
和光　優 Yu Wako
石垣純子 Junko Ishigaki
酒井敏子 Toshiko Sakai
土橋　悠　Haruka Dobashi
風間春美 Harumi Kazama
岩下三重 Mie Iwashita
神田裕子 Yuko Kanda
井野美奈 Mina Ino
福岡由紀子 Yukiko Fukuoka
ジヨング・キム Ji Yong Kim
坂本　泉 Izumi Sakamoto

2016   Digital documentation (since 2012).

You have no idea where I came from, we have no idea where we are going.  //  你不知我的過去，我們也不知自己的未來。

Presented as part of a group show 'Archives of the Discarded' at Intersections Art Gallery Singapore from 18 October - 17 November, 2016.
 

For sale enquiries, please contact
Intersections Art Gallery.

2018   Uncooked rice, talcum powder and clock mechanism.

In memory of my late-parents.  //  獻給我已故的父母。

This installation was presented as part of ‘I.D. (The Body’s Still Warm)’ at 42, Cambridge Road, Unit 07-07, Singapore.
It was presented again as part of ‘Unplanned Endings’ at Intersections Art Gallery, 34 Kandahar Street, Singapore.
Inspired by the imagery of their ashes, this work pays tribute to the labour and love of all parents to their children.

Since 2012   A series of digital photography.

Finding solitude in a metropolis.  //  在大都會尋找獨處的空間。
in collaboration with Benedict Chan.

2017 Mixed media.

On the creation of mankind (Gen 1:27) and grace (2 Cor 12:9).  //  關於人類的創造（創世紀1:27）以及神的恩典（哥林多後書12:9）。
in collaboration with Bernice Lee.

This collaboration is a response to Where Have All The Flowers Gone?, a collaborative event by The Group, a community of Christian friends from different churches and backgrounds specialising in creative work.

2017  Pigment ink and acrylic on canvas.

"Whenever illness is associated with loss of soul, the arts emerge spontaneously as remedies, soul medicine." (McNiff, 1992).  //  創作及藝術為身心良藥。

2015   Eggshell, rice vermicelli, rice and baby's breath.

A new beginning.  //  一個新的開始。

This work was featured in Notions #1.

For sale enquiries, please contact
Intersections Art Gallery.
 

2017   Mixed medium installation / illustration

Based on Roald Dahl's The Magic Finger.  //  作品改編為羅爾德·達爾的《神奇魔指》。
in collaboration with Kozue Yamamoto.
This installation is commissioned by the Toshima Mirai Cultural Foundation for あうるの街の夏まつり (Summer Festival at the Owl's town).

The tree stump stool is by 本濃研太.
This work is sited at Owlspot, Tokyo, Japan.

2016   Hand-pressed paper leaves, coupy pencil and water-based paint.

On the Emperor's New Clothes and the celebration of individuality.  //  呈獻國王的新衣以及為個人主義歡慶。
This installation is commissioned by the Toshima Mirai Cultural Foundation for あうるの街の夏まつり (Summer Festival at the Owl's town).

The naked emperor sculpture is by 本濃研太.
Leaves are cut by NPE Print Communications.
Leaf-press molds are produced by KISSAKI.
This work is sited at Owlspot, Tokyo, Japan.

特別な感謝。
Kozue Yamamoto
Masashi Kishimoto
Yuca Takahashi
Yoshiko Mitsumachi
knnmm
Nenohata
ketch
Fuyu
Atsuko Yanagimachi
Aima
Miwa
Shimoyaki Tomato
Jun Setsu
Rieko Tsuji
hishono
g0
Tomohisa Degawa
Medamadou
Sasaki
Yorozu Remake PinzoRo
Kouji Sakurai
Hikaru Tatsuki
Sayaka Nakagawa
Erika Sugita
Hajime

WORKSHOP
Masayuqi Yoshida
Sagaouji
Touji
Tsuji
Yuki
Kanepi
Sin_g

Since 2011   Ink on paper.

I see what I think.  //  所看因所思。

2020  All artworks by children from Homeschool Singapore, concept proposal by Pang

Seeing the world through children’s eyes during COVID-19 Circuit Breaker in Singapore.  //  通過孩子們的目光看被冠狀病毒影響的世界。

Commissioned as part of 'Streets of Hope’ alongside 152 other homegrown artist, an initiative by National Arts Council, Singapore.

Disclaimer: Commissioning fee by NAC in its entirety has been apportion evenly to each credited young artist through Homeschool Singapore.

Artwork credits: Isabel Joy Koh (7), Joshua Hoy (10) and Faith Ang (17)

2020  Used book.

Blackout poetry during COVID-19 Circuit Breaker in Singapore.  //  塗黑詩。

Presented as part of 'The Quarantined Canvas’ in Warhol’s Room (Online gallery), presented by Intersections Art Gallery, Myanmar & Singapore.

2015   130 units of baby's breath.

A tribute to victims of Paris Bombing 2015 (as of 20 November 2015)  //  獻給在2015年巴黎恐怖襲擊遇難的130名受害者。

This work had been auctioned off as lot 19 by Fauve Paris on Thursday, 7 January 2016 at 49 rue Saint Sabin 75011 Paris, France. This charity auction is organized in partnership with FENVAC - SOS Catastrophes & Terrorisme (National federation of victims of attacks and collective accidents) to support and defend the wounded and family of the victims of the 2015 attack in Paris.

2013   Handcut expired passport cover.

On independence.  //  關於獨立。

2011   Paper and air.

The fragility of personal spaces.  //  個人空間的脆弱性。

2024 Fired clay, fresh flowers

A statement on faith, on obedience to God and acknowledging grief. // 关于信仰、向上帝的顺从和对悲伤的认同。

2024   Graphite on wood.

Do we really die if we continue to exist in another space/place? // 若在另一個空間存在著，我們是否存活至永遠？

This artwork is based from a QR code of an actual weblink to a poem of how I wish to be remembered. It is intentionally made to be broken visually, hence hindering access to it.